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At the end of May , Gluck returned to Paris. At the first performance of Armide on Sept. The works are constructed in shorter sections, which frequently follow each other without a break, and the spacious conception of the scenes is partly sacrificed in order to achieve a greater degree of dramatic and psychological flexibility.
Gluck spent the last eight years of his life in Vienna and in Perchtoldsdorf nearby, in the care of his wife, continuing to work tirelessly.
His attention turned again to F. Only a few years before his death he published his Klopstocks Oden und Lieder seven numbers , which must have been written c.
At this time the paths of the aging Gluck again crossed those of Mozart, as had already occurred once in Paris; they met on several occasions, but no close personal relationship developed between them.
In Gluck suffered a second stroke, which partly paralyzed him, and his physical powers began to decline. Two days later he was buried in the central cemetery in Vienna amid general mourning.
Hoffmann ranked him among the Romantics. Many, however, starting with Handel as noted above , have found his technique severely flawed and credit his central achievements principally to his adventurous collaborators, Angiolini and Calzabigi.
Perhaps, as has been suggested, his musical failings served the needs of these and other reform sensibilities including his own better than a more accomplished technique might have.
Despite the unevenness of his work, there are countless moments in Gluck that rank among the most powerful and affecting in all of opera, e.
Although he had no great successors for he was soon overshadowed by Mozart, who pursued a much different path , his historical position is assured through his efforts to overturn the outmoded conventions of opera seria without destroying the genre itself and through the model his reform movement would provide later operatic reformers.
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Gluck had grove ways, demanded strict adherence from the cast when rehearsing. The soprano Arnould was replaced. He insisted that the chorus, too, had to act and become a part of the drama — that they could no longer just stand there posing stiffly and without expression while singing their lines.
Gluck was assisted by Gossec , director of the Concert Spirituel. Marie Antoinette received a large share of the credit.
Gluck had long pondered the fundamental problem of form and content in opera. He thought both of the main Italian operatic genres, opera buffa and opera seria , had strayed too far from what opera should really be and seemed unnatural.
Opera buffa had long lost its original freshness. Its jokes were threadbare and the repetition of the same characters made them seem no more than stereotypes.
In opera seria , the singing was devoted to superficial effects and the content was uninteresting and fossilised. As in opera buffa , the singers were effectively absolute masters of the stage and the music, decorating the vocal lines so floridly that audiences could no longer recognise the original melody.
Gluck wanted to return opera to its origins, focusing on human drama and passions and making words and music of equal importance.
He advocated that opera seria had to return to basics and that all the various elements—music both instrumental and vocal , ballet, and staging—must be subservient to the overriding drama.
In Vienna, Gluck met like-minded figures in the operatic world: On 5 October , Orfeo ed Euridice was given its first performance, on a libretto by Calzabigi, set to music by Gluck.
Gluck tried to achieve a noble, Neo-Classical or "beautiful simplicity". His idea was to make the drama of the work more important than the star singers who performed it, and to do away with dry recitative recitativo secco, accompanied only by continuo that broke up the action.
Calzabigi wrote a preface to Alceste , which Gluck signed, setting out the principles of their reforms:. On 11 September Burney went to see Gluck to say goodbye; Gluck was still in bed, as he used to work in the night.
As his operas were not appreciated by Frederick the Great , Gluck began to focus on France. The premiere on 19 April sparked a huge controversy, almost a war, such as had not been seen in the city since the Querelle des Bouffons.
The composers themselves took no part in the polemics, but when Piccinni was asked to set the libretto to Roland , on which Gluck was also known to be working, Gluck destroyed everything he had written for that opera up to that point.
On 2 August the French version of Orfeo ed Euridice was performed, more Rameau -like,  with the title role transposed from the castrato to the tenor voice.
In the same year, Gluck returned to Vienna, where he was appointed composer to the imperial court 18 October after 20 years serving as Kapellmeister.
Over the next few years, the now internationally famous composer would travel back and forth between Paris and Vienna. He became friends with the poet Klopstock in Karlsruhe.
On 23 April , the French version of Alceste was given. During the rehearsals for Echo et Narcisse in September , Gluck became dangerously ill.
In Vienna Gluck wrote a few more minor works, spending the Summer with his wife in Perchtoldsdorf , famous for its wine Heuriger.
Gluck suffered from melancholy and high blood pressure. On 15 November , lunching with friends, Gluck suffered a heart arrhythmia and died a few hours later, at the age of Usually, it is mentioned Gluck had several strokes and became paralyzed on his right side.
Robl, a family doctor, has doubts as Gluck was still able to play his clavicord or piano in His death opened the way for Mozart at court, according to H.
Gluck was buried in the Matzleinsdorfer Friedhof. Around his remains were transferred to the Zentralfriedhof ; a tomb was erected containing the original plaque.
His reforms influenced Mozart , particularly his opera Idomeneo His greatest French admirer would be Hector Berlioz , whose epic Les Troyens may be seen as the culmination of the Gluckian tradition.
From Wikipedia, the free encyclopedia. For other uses, see Gluck disambiguation. List of compositions by Christoph Willibald Gluck.
List of operas by Christoph Willibald Gluck. List of ballets by Gluck. Other sources giving this date include Einstein , p.
The authenticity of the document has been disputed by Robl , pp. Ancestry, early life and training. The record of ownership from the time it was built to the present is unbroken, and, although the house has been remodeled and modernized, it is believed to retain much of its original appearance.
There is a plaque on the side of the house which reads: Gluck himself never used the name Willibald. Franziska refused to marry Eugene of Savoy, accepted the next candidate Gian Gastone, who came to the conclusion Reichstadt was a boring place to live.
She refused to follow him to Florence, being more interested in horses and hunting than in him. Gluck himself does not appear in the list of students, although one of his younger brothers does.
Zweifel und Widerspruche in den biographischen Daten," Die Musikforschung , vol.